Paper Máché Owl - Part 18- Painting Progress

 I wanted to get the paint on the feet before I painted the bird.  I did not want to be dropping a different color paint on top of feathers that had been painted.  In fact, I have painted the feet four times to get something I think I can live with.  The pictures of great horned owls that I have been looking at show that their feet are a yellowish brown color. That color was hard to match.  And then, I ended up with a contrast problem once I did start painting the feathers.

The first time I painted the owl's feet, it seemed close to what I wanted, but needed a second coat because the paint did not cover well.  I painted a second coat, and thought all was well.  Then, once I started painting the feathers, the color of the feet did not look right.  So, it was back to the feet once again.  I think I can live with this color.  In the long run, if the feet still look off, I am going to take some artistic license and paint them gray/brown as some other owls feet look.

I am about 10 hours in on painting the owl.  The painting is somewhat labor intensive.  Each feather is painted individually.  On the belly and breast of the owl each owl has three brown streaks and two streaks that are white(ish).  I tap in the three brown streaks (raw and burnt sienna and white) and then come back in with white and tap against the brown edges to create an off-white color.  

I will say that this part of the owl is not finished.  I will next go back in and tap in some areas of dark and light color to break up the pattern a little bit.  That was always the plan, but when I was taking some pictures for this post, I noticed that the pattern was a little bit too uniform.   I did not realize that sooner because I was focusing on one feather at a time and trying to paint a jagged chevron shape.  Because I did not step back and take a look while I was painting, I just did not see how the chevrons evenly the chevrons were lining up.  

After taking the pictures, I went back and over painted some of those linear patterns to break it up a bit.  Now I am thinking that maybe that was a bit too much of the brown color.  However,  I can correct that if necessary while I paint on some more of the patterns for that area.  I have not taken any new photos since then.  

It is going to take a while to get this bird painted.  I will keep blogging about my progress.  Check back next Tuesday.  I will try to have the post up earlier.  I try to get it set up and ready to publish early Tuesday mornings, but this time it did not work out.  At least it is up on Tuesday.

Paper Mâché Owl - Part 17- The Painting Begins

I am back from a vacation, and I have just caught up things enough at home that I have time to sit down and paint.  But before starting to paint, I had to experiment with paint colors, strokes, and color combinations to determine how best to paint the owl.

I began by coating a piece of cardboard with two layers of gesso.  I drew a few rough feather shapes on it and started trying different colors and patterns for the feathers.  I stopped to take a picture during this phase.  I did more testing after that, but I wanted to make sure I snapped at least one picture of the tests.  Sometimes I get too busy and work to the last minute and forget to take a picture.  

 I needed to experiment a little more on just how I wanted the feathers to look.  I spent some time on the internet looking at images of owls.  It was surprising just how individual the feathers of owls are.  It made me feel better to think with that much individuation that I was not going to be doing it "wrong".

After I decided what color combinations I wanted to use, I started painting the owl on the underside of the feathers of the tail.  That area is the least likely to be seen when the bird is standing upright.  This gave me a little time to determine where the colors should be placed and how to create the striated pattern before it made it up to the more visible areas of the owl.  

I settled on a mixture of 5 parts Burnt Sienna, 4 parts Raw Sienna, and two parts Titanium White for my color pallet for the brown portion of the feathers.  The lighter part of the feathers is straight Titanium White.  (I had originally tried a mixture of Raw Sienna and Titanium White, but it kept coming out more of a pink color than I cared to use.)  It was important for me to have a formula as it will take quite a few days to paint the owl and I needed to be able to reproduce the color mixture over multiple days.  

The next thing I had to consider was texture.  I felt that if I just painted it flatly, it would not look as much like real feathers.  I decided that even though I was using acrylics that I would use inexpensive oil and enamel paint brushes.  I don't know where or how I ended up with these brushes.  I think I may have purchased them by accident when I went to look for some cheap child watercolor brushes.  I use them for applying glue sometimes.  Anyway, here were these paintbrushes with stiff plastic bristles and they seemed just what I needed at the moment.  I have been using these brushed to dab on the paint.

For each feather, I would tap the paintbrush into the brown mixture and tap on some of the paint in four uneven stripes across the feather.  Then I would wipe out the brush and tap in some of the plain white on the rest of the figure.  The white would mix a little bit with the brown in these areas to form a lighter brown color.  Once all the paint had been tapped in on the feather, I would brush upward with a very light stroke.  The stiff bristles would smear the paint and make it look less like distinct bands of color.  Sometimes, if I had added too much white, I would go back and tap in a little more brown paint.

After a feather was painted, I used a small pick tool (think dental instrument) and scratched in a few lines.  The lines helped give the feather the illusion of more texture.  It also visually broke up the bands of color. All in all, I think it makes the feather look a little more dimensional.

I am actually a little further along than is shown in the picture above.  This was my first stopping point.  Since then, I have given the owl's feet a first coat of paint and completed two more rows of the feathers.  Since each feather is treated individually, it takes a few minutes to paint each one.  

I will be working on the underside of the bird this week.  The challenge is going to come when I get to the smaller feathers of the head and legs.  I will have to do a little more experimenting for those parts.  The head is not the same color as the body.  However, the paint will have to coordinate with what has previously been painted.

Check back next Tuesday to see the next update on this project.  

Paper Mâché Owl - Part 16 - Priming for Painting

One more step on the owl is complete.  I made some test pieces to make sure the cardboard was not going to come apart when painted.  It held up well, so it was on to giving the owl a primer coat.  I actually did two coats of gesso to prime it for painting.  It takes two coats to cover over the newsprint on the paper  mâché on the beak and feet.  That way no words or pictures are showing through.  Some acrylic paints are transparent so the coverage really needs to block out everything.   Also, I made sure that the cardboard was well coated along the edges of the feathers so they would not curl.  

Priming the owl was a two day project.  I was laying the bird on its side and back in order to paint from all angles.  I used a medium weight gesso.  All of the brush strokes were made from the top of each feather to the bottom.  I am hoping that the heavier gesso will hold some of the brush marks, which will give each feather from texture.  Now I am giving it a couple of days to make sure that all of that is completely dry, then the painting will begin.  I am really hoping that I can make some reasonable facsimile of what owl feathers look like.  

I plan to experiment with colors and painting techniques before I begin to paint on the owl.  If I can figure out a combination of strokes that can blend the paint before I start; I will have a better idea of how the owl should look.  

I will not have a post on Tuesday, May 28th.  The weekend before this is Memorial Day.  I have to get ready for the holiday festivities on the days leading up to the holiday, so I doubt that I am going to have very much time to work on the project this week.  I really hate to work on painting it when I am feeling rushed.  Look for the next blog post on June 4th, 2024.  

 

Paper Mâché Owl- Part 15 -Quick Post

I have just a quick post and no new pictures this week.  The photo below is the same as last weeks picture.  I have been out of town, and had very little time to work on the project.  The best that I could do was to finish the layers of paper mâché on the beak and feet.  I will be starting the painting this afternoon.  

After two coats of gesso, I will begin painting.  I am both excited and stressed about this part of the project.  I am hoping that I will make a good job of painting the owl.  I have put so much work into the project that I start to stress over perhaps messing it up at this stage.  

I have looked at a number of owl pictures for great horned owls and long eared owls.  I really had no idea how individual the plumage on owls actually are.  In some ways that is a relief.  There is so much diversity in the plumage that I can't feel that I am "doing it wrong".  Of course there are many similarities around the face of an owl, but I can readily say that you could tell individual owls from their markings.

Anyway, that is about as far as I have taken the project.  Next week there will be time for me to work on it.  Check back next Tuesday to see the latest on this project.

Paper Mâché Owl - Part 14 Building up the Feet

Unfortunately, I have had very little time to work on my owl project this week.  I only managed to add some talons to the feet.  Owls do not tippy toe around like Sandpipers.  They have large rough feet with sharp claws built for grabbing and holding their prey.  I needed the toes to be larger and add the claws.

I had already given the toes a little bit of bulk by dripping some hot glue along the top.  That helped give the toes a rougher look.  That only worked a little bit.  By the time I was ready to work on the feet, some of that had peeled up.  I ended up pulling some of it off.

To create the claws, I cut small crescents out of cardboard.  I needed two for each claw I was trying to create.  Owls have three toes in front and one in the back, so I needed a total of sixteen crescents for this project.  I taped the front of the downward facing crescents together, then opened up the back of each crescent to form a wedge.  This wedge was then hot glued to the existing toe and then covered with tape.  I lost a bit of the crescent shape when I added the tape.  The main idea at this point is just to make the toes look like sharp talons.  More detail will be added with paint.

I also bulked up the legs by wrapping them in some aluminum foil and tape.  I may yet add more to the foot.  Sometimes I have to walk away from the project and come back to it before I make a decision on adding more.  Adding too much is as bad as not adding enough.  

Extending the toes had an added bonus.  It gave the owl a little more stability.  The owl does not rock back on its tail as much as it had before.  I may need to make one correction on one of the toes, as it does not sit quite touch the ground.  This is an easy fix.  I'll just add a little more tape to the area.

Last blog post I had mentioned that there was a change in direction in the project.  I wanted to give readers a heads up.  My original intention for this project was to cover the entire owl in paper mâché and then paint it.  And herein lies a cautionary tale as to why showing your work before it is complete can be problematic at times.  

The cardboard "feathers" of the owl really give the bird its shape.  All of the people I have shown it to have said I should not cover up the feathers.  They think I should just paint it.  In any case, I will still need to put paper mâché on the beak and feet. I admit, by the time I had come this far with the project and saw how nice the owl looked, I wished I had done it in balsa wood rather than cardboard. I am torn between sticking to my original plan or switching horses in mid-stream and going a different route.  Am I prepared to potentially wreck a project?

I was not sure how the cardboard is going to react to being painted.  It could curl up or separate into its many layers if it gets too wet.  It might be fine.  I'll never know unless I try it.  I have some options here.  If the paint works as hoped, the project is close to complete.  If the cardboard curls, I may still be able to cover it with paper mâché. In any case, I will still need to put paper mâché on the beak and feet at a minimum as they are only covered with masking tape at this point.

My last resort scenario if the cardboard fails beyond use, I could strip the project back to the layer where it was waterproofed with a layer of Press and Seal and start over from there.  It would not be a complete rebuild.  If I end up doing that, it might be worthwhile to pursue the balsa wood angle.  However, I don't think it will come to that.  I have done a few test pieces of cardboard to see how it responds to the primer.  It has done just fine.  I think it is going to be okay to paint.

So, I plan to go ahead and just use paint.  It may be for the best as the feathers give it a lot of texture.  But, for all of that, if I had waited and showed off a finished paper mâché  project, they would still have looked at it for twenty seconds and said, "Wow, that looks cool."  

Paper Mâchê Owl Part 12 - Finishing up the Eyelids and Feathers

I have made a fair amount of progress this week.  I wish I had been able to complete this phase of the project.  I have about an hour's worth of work to finish adding the cardboard feathers to the back of the head.  Once that is completed, I will be ready to add some more layers of waterproofing before adding the  paper mâchê paste.  This is waterproofing to prevent the paper mâchê paste from soaking the cardboard and causing it to lose its shape and holding power.  A later blog post will address how to waterproof the paper mâchê layers.  That is a different method from the one used at this point in the project.  Check back on this blog in a week or so for that information.

I also added the eyelids, which give the eyes a more realistic look.  The first picture shows the eye without the eyelid.  The second picture shows the eye lid added. 

 

Owl without an eyelid.  

It was not very had to make the eyelids.  I cut out a circle from very flexible cardboard.  Then I cut the circle in half.  After checking to find the best position, I glued on the eyes with hot glue.  Since I was not using completely round cabochons for the eyes, I just had to pick what looked best.  The glue was giving me a little grief.  At first the eyelid wanted to slip while being held while waiting for the glue to dry.  I had to do some scraping to get excess glue off the areas where it slipped.  I will probably do some more scraping at the end of this project.  

I needed to do a little surgery on the lid.  It actually covered more of the eye than I wanted.  It was probably alright as it was, Owls blink.  However, I preferred a more open eye, so I used a sharp craft knife to cut back some of the lid.  I think it looks better for it.

Owl with eyelid added.

After adding the eyelids, I started working on the feathers around the face.  The face and head feathers are really quite small compared to other parts of the bird.  The initial size of the feathers are 3/8 of an inch (9.53 mm) by 1/2 inch (12.7 mm).  (Note: I checked these figures on a conversion table.) They were small enough that it was no longer feasible to wear my silicone finger protectors while using hot glue.  They just made my fingers to clumsy to hold the small pieces.  Rather than burn the dickens out of my fingers, I held the bottom of each feather with some sharply pointed tweezers.  This helped a great deal, but it was more difficult to place the pieces.  I had to hold the tweezers, add the glue, flip the tweezers over and place the feather in the correct spot.  There is a lot more glue showing on the head feathers compared to other areas of the bird.  No matter, I will pull off as much as I can before starting the next phase of the Owl.  No one will see it in the finished project.

I tried to lay the feathers in a pattern that resembles the way the bird will look once it is painted.  The texture and directionality will give the bird a more realistic look than if it is just flat.  Each layer adds shape to the Owl.  It will also give me some visual cues when I start to paint the bird.

I also worked on the ears.  The ears were covered with very tiny pieces of cardboard.  The little pieces I used were scraps left from cutting out the small cardboard feathers for the head.  I added a little bead of glue along the front edge as there was not any cardboard covering that tiny area.

Next week will be the big reveal of the end of this phase.  Check back next Tuesday.

Paper Mâché Owl Part 11 Painting and Adding the Eyes

This week I worked on painting and adding the eyes to my owl.  I needed a break from adding the cardboard feathers.  It can get a little tedious to work hour after hour on essentially the same thing.

The eyes are glass painted with acrylic paints.  I used some glass decorative glass pieces to paint the eyes.  The pieces of glass I used were some rounded pieces that are for decorative purposes.  They are not exactly round.  Fully round glass cabochons (found in the scrapbooking section) are expensive relative to bag of inexpensive decorator cabochons that are available for a dollar or less.  I buy a small bag and hunt for the most regular looking ones I can find that are the same size.  I can usually find two or three pairs of cabochons that will work well for a project.  

There are a few different ways to paint glass eyes. Many of them use enamel paints or fingernail polish.  The enamels look really nice, but I try not to add expensive elements to my projects if I have something at home that will work.  Nail polish can run from about a dollar to about eight or nine dollars a bottle or even higher.  I opted for acrylic paints that I already had at home.

 I first tried painting glass eyes on my last paper mâché pumpkin project.  I found various methods for painting the eyes.  By doing reverse paintings on the back side of the cabochon, it really looks like an eye.  That is, if you can get it to look right.  Some methods require multiple layers and scrapings to make the eye look as if it has depth and dimension.  After trying a few approaches on the pumpkin eyes, I finally settled on a method for painting eyes with acrylics.  I want to give a shout out to the guy who put up a YouTube video on the method.  A link to his video is provided here for anyone who wants to learn more about it:  www.youtube.com/watch?v=IkYtDUIa3BQ

When I make eyes for a project, I usually make at least three pair.  Then I pick the best set out of the three.  After a few tries at painting completely round pupils, I found that the method described in the video above worked the best.  The method for the pupil part is quite simple.  Basically, it is just putting a dot of paint in the center of the back of the cabochon and lightly pressing on another cabochon to spread the paint in a circle.  

If I had wanted to add a highlight to the eye, I would have added a dot of white paint at about the 1:00 o'clock position.  It would have had to been put in place before the pupil was added because this is reverse painting.  The last thing you would normally paint on a flat surface has to go first.  However, I did not put one in because the rounded glass surface of the front of the eye reflects light and creates its own highlights.  I think it would take someone with more experience than I have to get the white dot in the right position and then add the pupil.

For me, it was not quite so simple to determine the center of my irregularly shaped cabochons.  The first few eyes seemed a little off center.  I finally drew an X on a piece of paper, and place what appeared to be the center of the cabochon (rounded side down) on the X.  This at least gave me a target to aim for with the drop of paint.  Once the paint was on the first cabochon, I pressed the other cabochon onto it.  It still took me five tries to get it right. I actually had it right the first time, then dropped the cabochon and ended up getting paint all over my myself and the plastic I had down to protect the table.  It was a mess, but persistence paid off and I had two usable eyes.  So be forewarned, wear clothes that you don't mind getting pain on and protect your work surface if you try to do this.

The cabochons were set aside for the black paint of the pupils to dry.  After that, the outer edge of the cabochon was painted with a non-metallic antique gold acrylic paint.  They were set aside to dry again. 

Once the eyes were dry, a varnish was added to the back to protect the paint.  This was allowed to dry completely.  

Because of the irregular shape, the pupils are not exactly centered.  That still works for this project.  The upper edge of the eyeball still needs to be covered by the eye lid.  The eyelid will also cover part of the pupil.  The lower edge, which has more area of gold paint will be the most visible.  I did not do any scraping on the gold part of the iris.  

After painting, the eyes were glued onto the owl with hot glue.  More of the cardboard feathers and layers of paper mâché which have yet to be added will add more holding power to keep the eyes in place.  

For people who do not think they are ready to paint glass eyes, there are a few other alternatives.  At doll supply websites on the internet, you can purchase paper eyes that can be glued to the back of the cabochons.  Be sure to research your glue for that will dry completely clear and not yellow. 

It is also possible to buy plastic eyes for stuffed animals that look very realistic.  These eyes may come with a shank, that would need to be cut off or a hole punched in the head of the owl to accommodate it.  I actually had some of these eyes on hand, but my project was too large to use these eyes.  I may have to do some ravens or something at some point to try to use them up.  

A third, and the most expensive option would be to purchase glass eyes from a taxidermy supply company.  They are going to look the most realistic of all the options.  It would also be expensive compared to any of the other options.  

I have still been adding the feathers to the body this week.  I also added the ears.  I had not added them before because at some points I had to have the bird lying upside down and I did not want to damage them.  I am hoping to have the feather portion of the project finished by the next blog post.  

Check back on Tuesday.

Paper Mâché Owl Part 10 - More Feathers to Give Owl Some Shape

I have made quite a bit of progress on my owl this week.  I have been adding more cardboard "feathers" to give the bird a more birdlike shape.  The feathers are cut from thin cardboard that had enough flex in them to be able to be glued down to the armature.  A heavier cardboard could have been used, but it would not have been as easy to cut or to bend.  I was fortunate enough to have received a lot of thin cardboard recently.  You know when the universe is behind your project when exactly what you need comes your way at just the right moment!  

Front view of the owl.

The feathers are in different shapes and sizes, so I was only cutting a few at a time until I had a good idea of how many feathers of a certain shape I was going to need.  Each of the feathers were hand cut with scissors.  I am sure that there is some type of die cut machine that could have done this, but I prefer to be hands on for every part of my project.  

The feathers also cover up a lot of the dents and divots in the armature.  The form has to be built up in stages.  The first stage of a project looks so unlike the envisioned project that it takes a lot of will power not to toss the whole thing into the trash.  I have to make each layer look a little more like the shape that I want.  Today's bird looks better than last weeks layer.  

Rows of feathers waiting to be cut.

The feathers were a little less pointed once they were cut.  It was easier to cut them out by moving the cardboard around the scissors and cut in a continuous line along each horizontal row.  You can see two of the feathers cut out above the piece of cardboard.

The feet will not be worked on until the entire bird is covered.  At the moment it is a little tail heavy and tends to rock back onto its tail.  I expect the weight to shift once the glass eyes are added and the head is covered with feathers.  I may need to adjust the wire feet once everything else is finished.

Side views of the owl. 

The wings are not quite finished yet.  I still have to put on the cap of the shoulders.  Once the last of the shoulder feathers are on I will pause work on the feathers and paint the glass eyes.  They will need to be in place before the last of the feathers are added.  

Check back next week on Tuesday for the next installment.

Paper Mâché Owl Part 8 Adding Some Bulk and Feathers

Last blog post I said the most of the armature was complete.  I guess the key word there was "most".  Once I had the owl standing, I decided that it needed some padding around the thigh.  So I added some foil and tape to fill out the thigh.  I used foil to create the shape.  After that it was covered with more tape.

                                                             

Padding the thigh.

After the thigh was padded, the wing did not seem to have enough shape, so I added some shaped layers of foil and tape on both wings.  Building up the armature is a multistep process.  With each layer I try to make it look a little more like an owl.

                                      Adding more shaping to the wings.

The feet needed some bulking up before I start to add the layers of paper mâché.  Owl's feet and claws are covered with thick skin, much like chicken feet.  They are bumpy and very rough.  To mimic that shape, I used some hot glue to give the foot some texture and make it a little thicker.  This will also reduce the amount of layers of paper mâché needed to fill out the feet.  

Hot glue on the feet to add some bulk.

This completed most of the armature, but it needs feathers to make it look more like a bird.  Next blog post I will show adding the "feathers".  Check back next week for the next segment.

Paper Mâché Owl - Part 7 - Owl Now Standing On Its Feet

Last week I blogged about making the legs and claws.  This week I am pleased to say that the owl is now standing on its own two feet.  Getting the owl's legs attached and the owl balanced was not an easy task.  I had to move the legs forward from where I had anticipated they would be placed to make it stand up. All in all it took a little over an hour to get it to stay up.  The owl leans a little bit, but in a way it makes it look as if it is strutting rather than being still.  Sometimes I just have to work with what is there rather than making it look exactly as I would like.

Owl legs and feet.

The "thigh bone" is a little longer than it would be on a real bird.  I had to make sure that the wires of the upper legs would have enough length to support the weight of the bird.  They were almost too long.  I actually tried cutting them back a little bit, but the four doubled wired in each leg proved too difficult to cut.  It was easier to use them as they were.  Otherwise, I would have had to start over making the legs again.  I would have liked the upper legs to be about half an inch shorter, but such is life.  

The first leg went on easily enough.  I figured out the balance point I was trying to achieve and hot glued the leg into place. You can see a small mark that showed where I originally thought the balance point would be versus where it needed to be. Then I glued in some heavy cardboard supports to keep the leg from slipping.  The close up picture of the supports is from the first side.

Close up of mounted leg.

The second leg was where the trouble came in.  Just trying to match the first leg's position was not enough.  It took a couple of tries to get it in the right place.  What looked like the balance point was a little off.  I had to remove and re-glue the leg a couple of times to get it to stand up.  It made me glad that I had multiple layers of tape on the body.  One of the layers pulled off during the removal of the leg from the failed attempts.  

The second side is somewhat messier than the first side. It was difficult to try to balance the bird on one leg while using one hand to hold the glue gun and also make sure the second leg was in the right place.   It took a lot of glue to get the leg to stay on the bird. However, the messy glue is not something to worry about at this point.  There is still plenty left to do before the armature is completed.  No one will see the messy glue once it is covered with paper mâché.

Owl side view.

In order to get the owl to stand without wobbling,  I had to bend the wires of the claws a bit.  The rest of the feet will be built up with layers of paper mâché.  The important thing to remember when making something using an armature and paper mâché is that it is built up in layers.  Where you start is not where it will be when it is finished.  It just takes a lot of patience to get to the finish line.  

I still have a bit of work to do on the armature.  I need to add some padding around the legs.  Since there are cardboard supports, I also want to add another layer of Press and Seal and some tape over that area to prevent the cardboard from becoming soggy when I start to add the paper mâché.  

Owl strutting.

Other than padding the legs, the armature is pretty much finished.  Then the real work begins.  I still have to create the eyes and I have to start considering the feathers.  I would like to build in some of the shape of the feathers before I start adding the layers of papier mâché.  I think that creating some feather definition will make the feathers stand out more when it comes to painting the owl.  More on that in a future post.

Check back next week for the next post.

Paper Mâché Owl - Part 4 Finessing the Form

In my last blog post, I showed how the owl's body and head were joined.  Scroll back further to see the last few posts for more information on the start of this project.  Or, you can access the blog by going to folkartbycaroljones.blogspot.com

This blog post will be about smoothing out some of the rough edges.  The construction of the body left quite a few sharp edges that need to be dealt with before moving on to the wings, legs, and feet.  It is important to deal with the hard edges, because they will appear in the layers of paper mâché that will come after the  form has been completed.  In some projects hard edges might not be a problem, but an owl would look noticeably wrong with hard edges.   

 Cleaning up these hard edges will be done in steps.  It is not a case of performing one task and saying  "There, I fixed it".  I think it will take at least three steps before I feel that I have eradicated the hard edge.

The first step to removing the hard edges on the sides was to use a craft knife and carve off small pieces.  I carved on an angle so that the edge has a bevel.  The beveled edges were then covered over with another layer of masking tape.  In the picture shown, this step has been completed on the back edge of the bird.  The breast edge has not yet been cut.  It is not a great photo, but you might be able to see that the edge is a little less sharp.  

The lower edge was treated as described above.  

In this photo you can see the line indicating where the wing should be.  

A line on the lower portion of the breast edge indicates where the leg should come out of the body.  and form the bend for the lower leg.  This will later be covered over, but I had a few minutes and just wanted to make sure that I was on track.  It would be easier to make a correction at this point, than later in the process. 

Once the bottom had been beveled and taped, I added some folded strips of foil to cover the area.  The foil was folded over to create four layers.  This was done for both the upper and lower edges of the body.  

All of the foil was covered with a layer of masking tape.  This added a layer of softness and the hard edges no longer look so hard.  At this point, I only plan to cover the foil with tape.  I did not plan to re-tape the whole body at this point.  

Unfortunately, I forgot to stop and take a picture of this layer with tape on it, so you will see that on the next blog post.  

Look for that post on February 7th.  

Paper Mâché Owl Part 3 - Adding the Head

In the last blog post I had just finished making the body.  My first picture will show what the body looks like from the inside to pick up where I left off.  The two silhouettes of the body were given depth by adding cardboard ribs held onto the body with masking tape.  Scroll back to the earlier post for more information on this.

Once the body was put together, the entire body was covered with masking tape for added stability.  The tape is the first layer of protection for the cardboard from the upcoming covering of paper mâché.  

Readers, please for give the picture placement.  I am still relearning how to use the blog platform.  Hopefully, I will develop better composition as I go along.

                              

Inside of the bird body.

                                             Exterior of body covered with tape.

As you can see from the first picture the top of the birds body is more or less squarish.  Not to worry, I am going to fix that and attach the head.

The first step is to get rid of the square corners.  I used a craft knife to cut a triangular piece out of each of the corners.  The cut was one inch long across each edge of the top of the body and one-half inch down the side of the body.  This cut allowed the top and bottom edge to more easily fold inward.  In the photo below, that is more easily seen on the top section of the body.  

After the cuts were made, I attached some more cardboard strips across the top.  This will be the platform for attaching the bird's head.  I used some leftover strips that I used for the ribs. These strips are three and a half inches long and one-half inch wide (2.54cm x 1.27 cm). The strips are not very strong, and are easy top push down on, which will allow me to more easily position the bird's head where I need it to be.  The head is not an exact sphere, so a little give here and there will be helpful.

The head was attached to the body with hot glue.  I debated at this point whether to position the head facing forward or sideways.  Owls can turn their heads really far in each direction.  I eventually decided to have it facing forward, but it could just as easily have been placed the other way.

As yet, the owl has no legs.  That will be dealt with in a later blog post.  For the moment, I am using a box I had at hand to prop the project up for a picture.  

The next step is to make the head and body join each other better.  So the next step is to give the owl a neck.  Once  again, I returned to my small cardboard strips.  

I folded in the front and back of the bird to get the edges as close to the head as I could.  In the picture left, you can more easily see the cutouts on the edges (They look like small diagonal edges.) that allowed me to press the front and back towards the head.

Once the edges were pushed towards the neck, I started adding more  cardboard strips along the neck.  I cut the strips to form as smooth a join as possible between the head and the body.  I used hot glue to hold the strips in place.  The strips also add a little more stability to the head.

Please scroll down for the last picture.

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I will end this segment here.  As you can see, there are still some sharp edges that need some work.  I will be blogging about that in my next blog post.  Check back on January 30th, for the next installment.

Paper Mâché Owl Part 2 Owl Body

 I blogged about making the Owl head during my last post.  Today I will be writing about how I created the body.  

I want to remind readers that the owl body is built in stages.  Where I start will not be what the body looks like when it is finished.  Sometimes you have to add more, and other times you have to take something off to get the shape right.  I think a lot of people that try making things in paper mâché  sometimes have unfinished projects because they look at the beginning stages and say, "This is never going to work" and give up.   You have to have faith in process.  The project is not finished until it is finished.  

The shape of the body in this case is going to be dependent on the size of the bird's head.  The head is spherical and about three and a half inches in diameter.  (Picture 1).  I need the head to sit so that the width of the bird matches that diameter of the head.

Once again, I am starting with a flat piece and making it into a three dimensional object.  To get the body shape I consider the shape of the bird's body in order to create a profile.  The breast of the body is shaped like an arc.  The back of the shape is a downwards slant.  The shape will also have to include some bump outs for attaching feathers later in the project. So basically, I am trying to draw what I see and make a bird shape in order to make a template.  (Picture 2)  

The next picture will be the bird shape cut out of cardboard.  I cut out two of these shapes.  (Picture 3) In order to make the body three dimensional, I cut straight pieces of cardboard to act as supports that will hold the two sides together.  I used masking tape rather than hot glue for this just in case I needed to tear it apart and start over.  If the supports had been hot glued, it might have damaged the bird shape.  It was more work to do it with tape, but it could have saved having to remake the body profile.  

My husband and I had a good laugh over some of these pictures.  The camera on my phone has some type of an AI feature that identifies the picture and assigns a label to it.  In the case of each of these it suggested that these were food items.  We made some guesses as to what type of food it might have been.  I suggested that the head might have been mistaken for a cheese ball and the body might have been
some type of chicken leg.  My husband thought that the cardboard cutout might have been mistaken for a flounder.  

Template for bird

I only have a beginning picture of the supports going on.  I took one early, because I have a tendency to work until I get to a stopping point and forget to take more pictures along the way.  That happened this time so the final picture for today will show a view of the inside of the bird once all the supports were in place.  

Profile of Bird in cardboard

Supports for the body shape

The shape of the body in three dimensions.

So that is about as far as I have gotten to today.  Next blog post I will be showing the body and how I plan to attach the head.  At this point some people might look at this and say, "This is never going to work".  It will work, and next post I will reveal the body of the bird and how I was able to shape it.  Check back next week on January 23rd for the next installment,

New Project: Paper Mâché Owl

 

As I blogged a few days ago, I am returning to blogging after a few years absence.  I have not yet decided what day I will post yet.  I am still trying to find what fits best into my schedule.  I think it will be on Tuesdays, but it is not settled yet.  I hope readers will bear with me while I settle in to a routine.

I work mostly in paper mâché, although I also work in other media.  I have decided that my first project will be an owl.    Why an owl?  Because it is still within my general practice of making Halloween items.  Also, I think I need a break from making pumpkins.  After making several in a row, I want to try something different.

I love owls.  We used to live not far from a reservoir.  A great horned owl lived there.  He would start each morning with a great Hoot! Hoot! Hoot!  Hoot! Hoot! as he flew across the water.  The sound echoed across the water and could be heard for a long way.  As an early riser it was a great beginning to my morning. People who preferred to sleep late probably did not appreciate it as much.

How do I start to make an owl in paper mâché?  Basically, I am starting from something flat and making it into a three-dimensional figure.  My first task is to figure out the shapes.  This is pretty much how people look at shapes for drawing.  Do the parts of the bird resemble circles, ovals, spheres, squares, rectangles, cones, arcs, tear drops and so on.  Of course, the parts will not be an exactly those shapes, but are close enough to allow you to envision how the parts will need to be created.

In this case, the head is somewhat spherical with a cone shape for the beak. The shape of the overall body is similar to a tear drop.  The front of the body is an arc with a relatively flat back.   The wings are tear drop shapes and will cover a good portion of the upper back. You don’t really see much of an owl’s legs most of the time, so I just imagine what a chicken leg looks like.  The thigh is somewhat triangular and the lower part                                                                  of the leg is shaped like an elongated teardrop.

Once the basic shapes have been determined, the next item on the agenda is to determine how large you want the project to be.  Some owls are fairly large.  I was lucky enough to see a Great Horned Owl at a wildlife rescue center.  It was much larger than I had thought it would be.  I am not planning on doing full size.  My studio (also known as the spare bedroom) is overfull of projects.   I decided to make the head first.  The size of the head would determine the size of the body. The head is larger than it appears in the photo.  It is three and a half inches in diameter.

And so, it begins.  I should warn readers at this point that I am making figuring out how to make this as I go along.  I have no instructions.  I am strictly looking at the piece I am working on and say to myself, “How can I make that shape.  In other words, I am winging it.  (Pardon the pun.) I also wanted to let you know that the project is built up in stages.  It is not very owl like at the start.  

I picked up my first piece of newspaper and wadded it into a ball and wrapped it with tape.  I checked the size and continued wrapping more layers of newspaper and tape. Eventually, I had a ball of paper and tape that seemed to be the size that I wanted for this project.

Once the size seemed right, I added a beak.  Basically, the beak was a strip of cardboard to begin with.  I made the beak a little long at first.  It is easier to take some of it off than to start over making a new beak if it is too short.  Once I had the length as I wanted, I started building up the cone shape of the beak.  The beak seems a little large at the moment, but portions of it will be covered later in the project.

Next came the eye sockets.  Owls have very deep-set eyes.  At first, I tried to build up the sockets by using paper and tape, but it was slow going.  After a couple of layers, I decided to switch tactics and use rolled up bits of tin foil held down with tape.  I needed a couple of layers of the tin foil to get the sockets deep enough.  At last!  I have an owl head I can live with. 

This post is getting a little long.  I had hoped to get into how I started on the body today, but I think it is better to wait until next time.  I don’t want to make the post so long that people don’t want to read it.

Check back next week on Tuesday to see how the body will be made.